video installation (1 closed-circuit video camera, 1 Amphicon projector, 1 projection screen (72 x 96 inches), 2 video recorders, darkened room)
dimensions variable
edition of edition 2 of 3 + 1 AP
CT-676
Exhibitions
Syracuse, Everson Museum of Art, Peter Campus, March 22 - April 17, 1974.
London, Albion Gallery, Peter Campus: Predominance of Our Constructs, March 6 - April 25, 2008.
Toronto, The Power Plant, Peter Campus Reflections and Inflections, March 26 - May 24, 2010.
New York, Bryce Wolkowitz Gallery, now and then Peter Campus, November 8 - December 22, 2012.
Paris, Galerie nationale de Jeu de Paume, Seville, Centro Andaluz de Arte Contemporáneo, Lisbon, Fundação Caixa Geral de Depósitos – Culturgest, The Bronx Museum of the Arts, Winston-Salem, Southeastern Center for Contemporary Art, Hanes Art Gallery at Wake Forest University and Reynolda House Museum of American Art, peter campus: video ergo sum, February 14, 2017 - May 28, 2019.
Worcester Art Museum, Photo Revolution: Andy Warhol to Cindy Sherman, November 16, 2019 - February 16, 2020.
Literature
D. Ross, “A Provisional Overview of Artists’ Television in the U.S.,” Studio International, May-June 1976, pp. 216-78.
W. Herzogenrath and B. Nierhoff, Peter Campus: Analog + Digital Video + Foto 1970 - 2003, Bremen, 2003, pp. 108-109.
S. Rehme, “Critic’s Pick: Peter Campus,” Artforum, 2008.
C. Meigh-Andrews, “Peter Campus: Projected Video Works 1972-80, Recent Landscapes 2007,” Art Monthly, May 2008, pp. 27-28.
J. Wainwright, “Peter Campus: Albion, London,” Art Review, June 2008, p. 143.
B. Viola, “Artist to Artist: Peter Campus—Image and Self,” Art in America, February 2010, pp. 59-64.
R. Wolf, “Keeping New Media New: Conserving High-Tech Art,” ARTnews, October 2013, pp. 76-81.
A. M. Duguet, ed., peter campus, Anarchive, 2017, pp. 42-45, 234, 239.
H. Pardee, “Peter Campus,” The Brooklyn Rail, February 2017.
M. de la Fresnaye, “La video en majesté au Jeu de Paume: Peter Campus et Ali Cherri,” Mowgli, February 21, 2017.
C. Thibault, “Peter Campus, repli et déploiement,” AMA Newsletter, April 14, 2017.
O. Sorrel-Dejerine, “Les vidéos désarmentes de Peter Campus,” Le Bonbon, March 28, 2017, pp. 12-15.
C. Bardin, “peter campus: video ergo sum,” 800 Signes par l’Animal Culturel, March 1, 2017.
C. Domino, “Peter Campus, la sentiment de la nature,” Journal des Arts, March 17, 2017.
E. Martiny, “Peter Campus: Video Ergo Sum,” Aesthetica, April - May 2017, p. 130.
M. Verlinden, “Art vidéo, têtes chercheuses,” Le vif l’express, April 13, 2017.
C. Béghin, “Miroirs de Campus: Rétrospective d’un pionnier de l’art vidéo au Jeu de Paume,” Cahiers du Cinema, May 2017, p. 77.
E. Franck-Dumas, “Peter Campus, Trouble Face,” Libération, May 5, 2017.
I. Cabral, “Peter Campus invita a pasar al cuarto oscuro,” El Correo de Andalucía, September 22, 2017, p. 18.
F. Camero, “Peter Campus: de dentro hacia fuera,” Diario de Sevilla, September 24, 2017, p. 50.
F. Camero, “Peter Campus: de dentro hacia fuera,” El Día de Córdoba, September 25, 2017, p. 32.
M. Nunes, “Michael Snow e Peter Campus: Som e imagem na Culturgest,” Jornal de Letras, Artes e Ideas, March 14, 2018, p. 24.
C.M., “Video Ergo Sum: Peter Campus,” Expresso, March 17, 2018, p. 87.
P. Gone, “peter campus Sees the Self in Video,” Hyperallergic, July 15, 2019.