Artists at Work (Very Tiny Ones)

By Benjamin Genocchio, The New York Times
July 8, 2007

When people talk about skill in art, they tend to stress the making of it. But in addition to good craftsmanship, art has to have a deeper, dreamier side, something that stimulates the mind.

 

The quirky young artist Joe Fig, who has delivered to the Parrish Art Museum a dozen of his intricate, precise three-dimensional sculptural models of famous artist’s studios, is a master craftsman. Not only does he painstakingly re-create the studios in minute detail based on photographs, but he also makes replica figures of the artists. The result is breathtaking, like looking into a fully stocked dollhouse for the very first time.

 

His work is flawless, providing endless pleasure to museumgoers who like nothing better than to bliss out on skillfully made, cool-looking stuff. For others, like me, the models are a bit too perfect, too intricate and too precise to inspire deep thought, more at home in a haute toy store than a modern art gallery.