In the early 1970s, Peter Campus created pioneering closed-circuit video works that progressively incorporated the viewer and utilized the technological medium in a manner that would soon be adopted by now-famous video artists such as Bruce Nauman. Despite notable institutional recognition, Campus’ legacy has remained largely uncharted on the broad map of postwar and contemporary art. While his works can be found in the collections of prestigious institutions such as the Museum of Modern Art, New York and the Centre Pompidou, Paris, Campus is an artist whose commercial presence is not in line with his importance, and whose name does not hold much weight when mentioned to today’s general art-appreciating public.
Peter Campus: Calling for Shantih at Cristin Tierney
Aniko Berman, XXXX Magazine, January 20, 2011