Malia Jensen in Field Notes: Artists Observe Nature

Museum of Glass, Tacoma, WA

Not surprisingly, artists have looked to the natural world for inspiration for millennia. And, since the turn of the 20th century, there have been significant moments in which artists have sought to mimic the forms and patterns of nature in glass. Field Notes: Artists Observe Nature begins with works from the Art Nouveau period, roughly between 1890 and 1910, centered in France during the Belle Époque. The movement’s signature focus on blossoms, birds, and insects combined with sinuous organic tendrils was a reaction against the academic style and historicism of the previous century. These stylistic markers shone with particular brilliance in the decorative and applied arts and architecture. The style reached its apogee at the Exposition Universelle in Paris in 1900, where the Art Nouveau interpretations in glass by Émile Gallé, René Lalilque, and the Daum Brothers were introduced, along with stained glass marvels by American Louis Comfort Tiffany.

 

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