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Painter Immortalizes the Crowds at Rijksmusem’s Sold-Out Vermeer Show
By Rhea Nayyar, HyperallergicNovember 18, 2024 -
Sarasota Art Museum's "Contemplating Vermeer" exhibit shows viewers looking at art
By Tom Hall, WGCU - PBS/NPRNovember 2, 2024 -
Season Preview
By Dylan Campbell and Phil Lederer, SRQ MagazineOctober 1, 2024 -
Skyway at The Tampa Museum of Art
By Tom Winchester, Creative PinellasAugust 26, 2024 -
Joe Fig: Contemplating Compositions
The Arts Intel Report, Air MailOctober 10, 2023 -
Joe Fig’s cagey meta paintings
David Carrier, Two Coats of PaintOctober 10, 2023 -
The Culture Pages: To Do -> Twenty-five things to see, hear, watch, and read
Jerry Saltz, New York MagazineOctober 9, 2023 -
Joe Fig: Contemplating Compositions
Barbara A. MacAdam, The Brooklyn RailOctober 4, 2023 -
Painter and sculptor Joe Fig on the importance of seeing
Alexa Donovan, Washington Square News, September 18, 2023 -
10 Standout Gallery Exhibitions to See during Armory Week 2023
Annabel Keenan, Artsy, September 4, 2023 -
Joe Fig: Contemplating Compositons
Meer Magazine, August 22, 2023 -
Artist Joe Fig Blends Photography, Painting, Sculpture in Show at Dayton Art Institute
Meredith Moss, Dayton Daily News, December 11, 2022 -
The 2022 ADAA Art Show Is Back at New York’s Park Avenue Armory
Shawn Ghassemitari, HypeBeast | HypeArt, November 4, 2022 -
A Fair Where the Art Shines (Grandstanding Not Required)
Martha Schwendener, The New York Times, November 3, 2022 -
Dan's Cover Artist Joe Fig Resurrects Pollock In Miniature Form
Oliver Peterson, Dan's Papers, March 4, 2022 -
Oops! A New Documentary About the Knoedler Fakes Scandal Accidentally Included an Artist’s Trick Image as Real
Brian Boucher, Artnet News, March 5, 2021 -
Joe Fig's "Contemplation" Paintings Are Winning Rave Reviews
Kay Kipling, Sarasota Magazine Review, November 9, 2020 -
21 Events for Your Art Calendar This Week
Sarah Cascone, Artnet News, October 12, 2020 -
Joe Fig at Cristin Tierney
Jonathan Goodman, Whitehot Magazine, September 28, 2020 -
Joe Fig
Johanna Fateman, The New Yorker, September 15, 2020