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Perfect. "Immersed in a Limitless World"
By Rachel Hutcheson, Millennium Film JournalOctober 14, 2024 -
8 Shows to See in Upstate New York This August
By Taliesin Thomas, HyperallergicJuly 31, 2024 -
The land, burning
By Annemarie Schuetz, River ReporterJuly 16, 2024 -
What to See at This Year’s Upstate Art Weekend
By Elisa Carollo, ObserverJuly 15, 2024 -
Pioneering video art on exhibit at CAS
River ReporterJune 26, 2024 -
At The Galleries
By Karen Wilkin, The Hudson ReviewMay 15, 2024 -
What to See in N.Y.C. Galleries in March
By Holland Cotter, The New York TimesFebruary 28, 2024 -
Mary Lucier: Leaving Earth
By Hearne Pardee, The Brooklyn RailFebruary 13, 2024 -
The Top 10 Exhibitions to See in January 2024
ArtReviewJanuary 2, 2024 -
“Red, White, Yellow and Black: 1972–73”
Kaegan Sparks, Artforum, June 1, 2023 -
“Red, White, Yellow, and Black: 1972-73” at The Kitchen at Westbeth, New York
Mousse Magazine, April 4, 2023 -
Red, White, Yellow, and Black: 1972-73
Cassie Packard, The Brooklyn Rail, April 1, 2023 -
Red, White, Yellow, and Black: 1972-73
Wyatt Allgeier, Gagosian Quarterly, March 1, 2023 -
Art in the Digital Age: Highlights at Frieze London & Frieze Masters 2022
Frieze, October 3, 2022 -
NORMAL PEOPLE at Berlin Gallery Weekend
Kristian Vistrup Madsen, Artforum, May 5, 2022 -
Interview: Mary Lucier
Alex Klein, BOMB Magazine, March 7, 2019 -
Mary Lucier at Lennon, Weinberg
Carey Lovelace, Art In America, November 1, 2007 -
Plainsong: The Video of Mary Lucier
Paula Rabinowitz, Border Crossings, March 9, 2005 -
Mary Lucier: The Plains of Sweet Regret
Karen Wilkin, Catalogue: The Plains of Sweet Regret, June 1, 2004 -
Texture, Grace, and Drama: An Interview with Mary Lucier
Nicholas Drake, Sculpture Magazine, January 12, 1998 -
Mary Lucier
Jennifer P. Borum, Artforum, October 1, 1995 -
The Architecture of Image and Sound: Dwelling in the Work of Mary Lucier
Melinda Barlow , The Art Journal, September 15, 1995 -
Weekend: Mary Lucier
John Russell, The New York Times, November 10, 1989 -
Why The Latest Whitney Biennial is More Satisfying
John Russell, The New York Times, March 25, 1983