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Flag Waving and Flag Burning in Kamala Harris’s America
By Doreen St. Félix, The New YorkerOctober 5, 2024 -
Adrian Piper, Kiyan Williams, and Other Artists Pick One Work of Political Art That Sticks With Them
By Julia Halperin, CULTUREDOctober 3, 2024 -
A Truck Full of Art on Bodily Autonomy Hits the Road for a Nationwide Tour
By Sarah Cascone, Artnet NewsSeptember 6, 2024 -
How to Gain Citizenship in Pan-African Utopia — Tschabalala Self in Conversation with Dread Scott
By Tschabalala Self, Elephant MagazineJuly 27, 2024 -
Behind the scenes of the All African People’s Consulate: a talk with curator Paul Bright
By Ilenia Repic, follow.artJune 26, 2024 -
The Artist Who Burned the U.S. Flag Raises a New One in Venice
By Zachary Small, The New York TimesMay 1, 2024 -
There Are a Ton of Shows to See Around the Venice Biennale—Here’s Our Take on What’s Worth Seeing (and What’s Not)
By Margaret Carrigan, Artnet NewsApril 19, 2024 -
Globalisto | A Philosophy in Flux, Acts of an Imbizo
By Palmer Dean, Flaunt MagazineApril 17, 2024 -
10 Shows to See in Venice During the Biennale
By Alex Greenberger, Art NewsApril 11, 2024 -
Collateral Events Not to Miss During the Venice Biennale 2024
By Eli Anapur, Widewalls MagazineMarch 18, 2024 -
The Divisive Dread Scott Artwork George Bush Called “Disgraceful”
By Poppy Burton, Far Out MagazineJanuary 20, 2024 -
Dread Scott - Revolution, Evolution, Resolution...
Interview with Nick Byrne for King Kong Magazine, Vol. 16October 1, 2023 -
Exhibition Explores Connection Between Contemporary Art and History of Black Writing
Jon Niccum, Today News: The University of KentuckyAugust 17, 2023 -
Integrating Message and Method
Steven Heller, The Daily Heller, July 7, 2023 -
Six Times Right-Wing Groups Went After Artists
Elaine Velie and Rhea Nayyar, Hyperallergic, July 5, 2023 -
DREAD SCOTT | “GODDAM”
Simran Tuteja, Musée Magazine, June 21, 2023 -
How Long Must We Sing This Song?
Hakim Bishara, Hyperallergic, June 16, 2023 -
Dread Scott: Goddam
Ann C. Collins, The Brooklyn Rail, May 31, 2023 -
Art Out: Dread Scott
Musée Magazine, April 28, 2023 -
Dread Scott’s Visual Ballad to Nina Simone
Air Mail News, April 28, 2023 -
Seven Artists Win Coveted Rome Prize, Including Dread Scott and Nao Bustamante
Maximiliano Durón, ARTnews, April 24, 2023 -
What Would Ben Franklin Say? Artists Weigh the Dream of Democracy
Hilarie M. Sheets, The New York Times, March 23, 2023 -
This Wikileaks and a/political Show Exposes Dark Truths of Modern Politics
Thom Waite, Dazed, March 10, 2023 -
Dread Scott’s Visual Ballad to Nina Simone
Briana Ellis-Gibbs, Hyperallergic, March 8, 2023 -
Battling oppression with capitalist ‘blood money’: Radical artist Dread Scott spreads revolutionary message at CWRU-Clev
Steven Litt, Cleveland.com, December 23, 2022 -
A Show of Quiet Dissidence
Holland Cotter, The New York Times, December 8, 2022 -
Art Basel Miami Beach 2022
Whitewaller, November 28, 2022 -
Miami Artist Billboard Project Puts Justice in the Spotlight
Torey Akers, The Art Newspaper, November 28, 2022 -
The Artists Taking on Mass Incarceration
Adam Bradley, T The New York Times Magazine, August 11, 2022 -
3 Questions with Artist Dread Scott
Alex de Vore, Santa Fe Reporter, August 3, 2022 -
The 25 Best Artworks About the U.S. Flag, From the Patriotic to the Provocative
Alex Greenberger, ARTnews, April 6, 2022 -
Editors’ Picks: 11 Events for Your Art Calendar
Sarah Cascone, Artnet News, December 14, 2021 -
The Defining Artworks of 2021
Maximilíano Durón, ARTnews, December 6, 2021 -
Dread Scott Celebrates a Long-forgotten Rebellion as a Moment of Resilience
Taylor Michael, Hyperallergic, November 17, 2021 -
3 Art Gallery Shows to See Right Now
Jillian Steinhauer, New York Times, November 3, 2021 -
Blaxploitation Considered Anew In Exhibition at Poster House New York: Forbes
Chad Scott, Forbes, November 3, 2021 -
Interview: Dread Scott with Charles M. Schultz
Charles M Shultz, Brooklyn Rail, November 1, 2021 -
Dread Scott auctions his maiden NFT of a “white man for sale” at Christie’s
The Editors, Surface Magazine, September 15, 2021 -
Artist Dread Scott’s First NFT Is a Video of a White Man Atop an Auction Block. He’s Taking It Straight to Christie’s
Taylor Dafoe, Artnet News, September 14, 2021 -
Seeking Art That Expands the Possibilities for a Troubled World
Siddhartha Mitter, New York Times, September 14, 2021 -
"White Male for Sale": Dread Scott’s First NFT
Shanti Escalante-De Mattei, ARTnews, September 14, 2021 -
Dread Scott's NFT White Male For Sale, a critique on slavery, to be auctioned off at Christie’s
Wallace Ludel, The Art Newspaper, September 14, 2021 -
Art Out: Pelle Cass, Dread Scott, Farah Al Qasimi
Musée Magazine, September 10, 2021 -
The Exciting Art Events You Won't Want to Miss This Autumn
Elephant, September 1, 2021 -
Latest News in Black Art
Victoria L. Valentine, Culture Type, August 1, 2021 -
Endeavor Impact, Art for Justice Announce Inaugural Frieze Impact Prize Winners
Kirsten Chuba, Hollywood Reporter, July 28, 2021 -
The 25 Most Influential Works of American Protest Art Since World War II
By Thessaly La Force, Zoë Lescaze, Nancy Hass, and M.H. Miller, The New York TimesOctober 15, 2020 -
A Monumental Uprising
By Noah Simblist, Art in AmericaSeptember 30, 2020 -
From Keith Haring to Dread Scott, a Brief History of Public Art in New York City
Claire Selvin, ARTnewsJuly 2, 2020 -
Dread Scott on Confronting Racial Oppression in America
By Dread Scott, Art in AmericaJune 10, 2020 -
Dread Scott on art and rebellion
By Zack Hatfield, ArtforumJune 8, 2020 -
Dread Scott: America God Damn
By Dread Scott, The Art NewspaperJune 5, 2020 -
Dread Scott: Beyond History
By Sarah Juliet Lauro, Art PapersMarch 1, 2020 -
"It makes it real:" hundreds march to re-enact 1811 Louisiana slave rebellion
By Oliver Laughland, The GuardianNovember 11, 2019 -
A Slave Rebellion Rises Again
By Rick Rojas, The New York TimesNovember 9, 2019 -
Dread Scott’s ‘Slave Rebellion Reenactment’ Commemorates a Forgotten Uprising
By Paddy Johnson, ObserverNovember 6, 2019 -
Dread Scott’s Rebellion
By Julian Lucas, Vanity FairSeptember 9, 2019 -
Dread Scott Reenacts a Slave Revolt to Radically Reconsider Freedom
By Seph Rodney, HyperallergicNovember 17, 2017 -
Artist Dread Scott’s Slave Rebellion Reenactment Is Not Just About Slavery
By Brooke Marine, W MagazineNovember 7, 2017 -
At the Brooklyn Museum, New Research on Lynching in America Dialogues with the Art
By Michael Friedrich, HyperallergicOctober 2, 2017 -
Announcing the 24th Moving Walls Exhibit, Here We Are: Visual Resistance and Reclaiming Narratives
By Yukiko Yamagata, Open Society FoundationsSeptember 18, 2017 -
Confronting the Legacy of Racial Terror, at the Brooklyn Museum
By Siddhartha Mitter, The Village VoiceAugust 29, 2017 -
Is Capitalism Doomed? A New Museum Imagines the Downfall of the Economic System
By Brian Boucher, artnetJune 11, 2017 -
A Refusal: Dread Scott on Trump, Flag Burning, and the Suppression of Dissent
By Dread Scott, Walker ArtDecember 6, 2016 -
Rowan art exhibit looks at race and inequality
By Shannon Eblen, Courier PostSeptember 14, 2016 -
Rowan University art exhibit explores civil rights issues
By Vincent JacksonSeptember 1, 2016 -
Relevant and Revolutionary As Ever
By Soraya Nadia McDonald, AndscapeAugust 17, 2016 -
Does This Flag Make You Flinch?
By Angelica Rogers, The New York TimesJuly 14, 2016 -
“A Man Was Lynched by Police Yesterday” Flag Goes Up in New York City
By Hrag Vartanian, HyperallergicJuly 8, 2016 -
Dread Scott’s On the Impossibility of Freedom in a Country Founded on Slavery and Genocide: Performance, Photography, and Reimagining History
By John Bowles, IRAAAJune 1, 2016 -
Art Without Permission: Tania Bruguera and Dread Scott Discuss Art and Activism at the Brooklyn Museum
By Alex Greenberger, ARTnewsDecember 14, 2015 -
Dread Scott Enacts the Images of Oppression
By Hrag Vartanian, HyperallergicOctober 8, 2014 -
Two Community Projects: Dread Scott in Philadelphia and Hassan Hajjaj in Cardiff
By Andrea Kirsh, artblogAugust 17, 2009 -
Dread Scott: Making Art and Revolution
By Michael Slate, Revolutionary WorkerJune 17, 2001 -
Violence by Police As a Theme for Art
By David M. Herszenhorn, The New York TimesDecember 3, 2000 -
Pain and provocation in "Black and Blue"
By Judy Birke, New Haven RegisterNovember 12, 2000
